(Formerly 404W) This course is for J.D.
About The World
(Formerly Law 404P) This course is for J.D.
China's post-1976 recovery from the late Mao era; its reorientation toward an open market-oriented economy; the consequences of this new model and runaway economic growth for standards of living, s
According to one commentator, the political economy of Israel is characterized by embedded illiberalism.
Evolution of modernist Russian/EEur. dramaturgy, theatrical practices, landmark productions from Chekhov-Meyerhold-Grotowski to present; re-performance of classics; techniques of embodiment.
How do Russian literature and film imagine Russian identity ¿ and, in contrast, the ethnic or national Other?
Anna Karenina, the novel as a case study in the contest between "modernity" and "tradition," their ethical order, ideology, cultural codes, and philosophies.
A survey of Russian poetry from Lomonosov to Vladinmir Solov'ev. Close reading of lyrical poems. Prerequisite: 3rd Year Russian Language
The course investigates the interaction and tension between visual and textual components present in the early Soviet avant-garde and the late Soviet postmodernism.
Osip Mandelstam from Symbolism to Acmeism, to Post-Modernism: poetry, thought, culture, politics, reception.
Pushkin's poems, prose, and drafts in dialogue with contemporaries and cultural milieu.
The Age of Revolution: Readings in Russian Modernist Prose of the 1920-30s: What makes Russian modernist prose special? Or is there anything special about Russian modernist prose?
Connections of philosophy and science to literary form in War and Peace, Brothers Karamazov, Chekhov stories: alternative shapes of time, perception, significant action. Taught in English.
This course discusses the transition from predominantly poetic to predominantly prosaic creativity in the Russian literature of the first half of the 19th century Russian literature and the birth o
"The power of devastation [Platonov's texts] inflict upon their subject matter exceeds by far any demands of social criticism and should be measured in units that have very little to do with litera
A survey of metric forms, rhyming principles and stanzaic patterns in the Russian poetry of the 18th - 21st centuries. Taught in Russian. Prerequisite: Two years of Russian.
An emphasis is made on close reading of the poetry of Boris Pasternak, Marina Tsvetaeva and Vladimir Mayakovsky. Taught in Russian. Prerequisite: 3rd Year Russian Language
For graduate students or upper-level undergraduates. What did Realism mean for late imperial Russian writers? What has it meant for twentieth-century literary theory?